Tuesday, July 16, 2013

Tao Paradoxico-Philosophicus 5-6



    Un dieu donne le feu     
     Pour faire l'enfer;      
      Un diable, le miel     
       Pour faire le ciel.  
   



TRACTATUS PARADOXICO-PHILOSOPHICUS

5 The logical perspective: from this perspective one or more observers distinguish an organizationally closed unity from its cognitive domain, thereby adopting the logical dichotomy: the distinguished organizationally closed unity or the distinguished cognitive domain, one or the other.
5.1 For these observers, dimensions (e.g., space, time) emerge together with this distinction.
5.11 So do a processor (the distinguished organizationally closed unity) and an environment (the distinguished cognitive domain).
5.12 For these observers, however, these distinctions appear as “discoveries” (of dimensions, processor and environment) to share with other observers adopting a logical perspective, in a world a priori “out there” and as free of paradoxes as possible.
5.2 If these observers attempt to “explain” the processor, it will appear to them as an open organization (with inputs, outputs, divisions and parts) made of processes (events in time) that produce components (objects in space), but no longer organizationally closed.
5.21 The organizations that constitute the environment of the processor also appear open, with outputs and inputs that match the inputs and outputs of the processor.



6 The paradoxical perspective: from this perspective, one or more observers do not distinguish the organizationally closed unity from its cognitive domain such that the unity and its cognitive domain appear to these observers as a paradoxical continuum or as a paradoxical context.
6.01 For these observers, dimensions, processor and the environment vanish.
6.1 Since a paradoxical perspective implies a paradoxical and logical perspective, these same observers may make tentative distinctions in this paradoxical context as attempts at distinguishing a world “in and out there” to share, at least in part, with other observers.
6.11 This world “in and out there” welcomes paradoxes.
6.12 The paradoxical context (the unity and its cognitive domain) remains untouched and ready for new attempts.
6.2 Paradoxes (paradoxical perspective): consider self-referential sets of different, even conflicting, possibilities such that they blend into each other dissolving their differences and conflicts.
6.3 Logics (logical perspective): consider non self-referential sets of conflicting possibilities that exclude each other without solving their differences and conflicts.

Tractatus Paradoxico-Philosophicus

A Philosophical Approach to Education
Un Acercamiento Filosófico a la Educación
Une Approche Philosophique à l'Education
Eine Philosophische Annäherung an Bildung

Ricardo B. Uribe

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Tao Paradoxico-Philosophicus 3-4

Taos irae



Giuseppe Verdi - Messa da Requiem - Dies Irae
Orchestra and Chorus of la Scala, Milan; director Herbert von Karajan; recorded 1967.

Dies irae
dies illa
Solvet saeclum in favilla:
Teste David cum Sybilla.
Quantus tremor est futurus
Quando judex est venturus
Cuncta stricte discussurus!
Dies irae
dies illa
Solvet saeclum in favilla:
Teste David cum Sybilla
Quantus tremor est futurus
Quatdo judex est venturus
Cuncta stricte discussurus!
Quantus tremor est futurus
Dies irae, dies illa
Quantus tremor est futurus
Dies irae, dies illa
Quantus tremor est futurus
Quantus tremor est futurus
Quando judex est venturus
Cuncta stricte discussurus
Cuncta stricte
Cuncta stricte
Stricte discussurus
Cuncta stricte
Cuncta stricte
Stricte discussurus!

Monday, July 1, 2013

meta-Tao arrows

Vladimir Kush, Chaos Butterfly, Arrow of Time
The next metapattern discussed by Tyler Volk and Jeff Bloom are arrows, structure to indicate flow. progression, directional links and relationships. and directionality in general:

Background

Arrows indicate flow, progression, directional links and relationships, and directionality in general. Arrows are often linked to time (as an arrow) and sequences. Arrows of time are equivalent to tubular relations in space. Arrows also depict specific directional relations between binaries.

Examples

  • In science: chemical reactions, acceleration, nerve transmission, vectors, velocity, osmosis, rivers, currents, wind, volcanic flow, bird flight, etc.
  • In architecture and design: traffic flow, sequences in construction, escalators, directionality in lighting and décor; structural strength in supporting weight; etc.
  • In art: as objects, as eye movement in looking at piece of art, choreography, drama, etc.
  • In social sciences: directional relations, movement, flow, stages and sequences, etc.
  • In other senses: journeys and pilgrimages; travel plans; agenda; etc.

Metapatterns

The Pattern Underground